Colom Newbie

We do not have roll over minutes in our house. It is good to skip days sometime to let you family know that you are thinking about them. As any drummer knows, it is easy to get lost in time when practicing, especially when playing to music. So when your wife comes in and points to her watch, you smile and say, "Yes Dear."

Your physical body can always do what you mind can conceive. Before you know it you will be producing you own style that others desire of you. It all starts in the mind.

A typical drumstick has a tip, shoulder, shaft and butt. The tip, also referred to as bead, is the top-most part that strikes the drum. Traditionally, the tip is made of the same hard wood as the rest of the stick.

Vinnie Colauita once said, "Just play in 7 for like an hour". This is especially insightful as we can often get caught up in studying things too closely and miss the point. Sheer repetition will help lead to more comfort in odd times.

Depending on the type of music, begin your solo to match the flow of the music. You might not want to perform a hard and fast solo to slow, smooth, easy listening jazz nor drum softly to hard, power-driven metal. Make your solo tasteful. Let it make a statement and signature of what you are creating. Utilize all the instruments of your drum set such as your snare drum, bass drum, toms, cymbals and other instruments that accompany the drum set. The final step in developing a solo.

Learn the 7 essential rudiments (at least) accurately and up to speed. (Especially the single and double stroke rolls). Know and recognize all the styles and be able to play variations of each. Have a thorough understanding of rhythmic note values and sight-reading.

Well, I asked around a bit and was surprised to learn that the history of second line is a bit cloudy. Nobody can seem to agree on how it evolved, I heard stories about there being a line of musicians and staff that marched behind the mourners (second line) at a funeral parade in New Orleans. Apparently the musicians would play funeral marches on the way to the funeral and more livelier pieces on the return home.

Drummers like Zigaboo Modeliste and Johnny Vidacovich mixed second line with syncopated funk, developing a style called "second-line funk drumming". This style was popularized in many famous bands that came from New Orleans like the Meters (see below). Second line drumming often involves a 3/2 son clave not dissimiliar to the Bo Diddley beat although it doesn't necessarily always follow that rule, and Second line beats are also called "Street Beats".